Last Week's New Yorker Review: đ± The Weekend Special (May 25)
The Weekend Special
Pieces are given up to three Boyles (for fiction), Harrimans (for essays), or Parkers (for random picks). As with restaurant stars, even one Boyle, Harriman, or Parker indicates a generally positive review.
I usually send out two editions of the weekend special for double-issue weeks but because thereâs no new Fiction and I put the Weekend Essay in the regular edition, Iâm gonna just skip a week.
đ± Fiction
âFairy Poolsâ by Patricia Lockwood. Three Boyles. language, landscape, later. Embodies the beginnings of a breakdown of internal communication, sparked by an unreliable gut â a condition Iâve experienced myself â in such an unassuming way one assumes at first it is style, or affect. (Well, and maybe thereâs no difference.) This is less likely to make you sob than Lockwoodâs astonishing previous effort in the magazine, but this storyâs simultaneous restraint and fractal relationship to meaning-making lend it a wide and sonorous quality. The feeling that identity formation is a fragile thing, tipsy on a sandy foundation, is possibly encouraged, or at least rendered hallucinatory, by the conditions of contemporary life. But Lockwoodâs ability to render this definitionally incommunicable state by strange proxy, putting together words that donât say what they do say, makes her one of the very few writers who actually earn the tag postmodern. And itâs very funny, too; not in the self-consciously dry way of so much contemporary writing but instead in a loopy, smiling-at-no-joke way that is far more intriguing. Having just emerged from a silent meditation retreat at which I continually struggled to make meaning from the chaos of internality, rereading this story filled me with breath.
đ± Weekend Essay
âThe President Who Became a Prophetâ by Manvir Singh. Two Harrimans. messiah, media, merge. Some of the best Trump coverage the magazine has produced, because it has a specific and historically informed point of view â Singh has written a book on messiahs, and while Iâd be perfectly content to just read an excerpt, this take on Q as part of a long lineage of âmythic structuresâ that justify various sorts of harm and death-bringing makes much more sense than the often technologically deterministic suppositions that itâs a threat without any precedent. Was I surprised by any of what Singh says here? Not really, no, but given how many wrongheaded or incomplete explanations there are of the conspiratorial thinking surrounding Trump (one of which is a piece Iâm seriously dreading having to write about in the soon-to-be-reviewed edition, a deeply misguided effort from the generally reliable Daniel Immerwahr) itâs good to get a thoughtful take on all that thoughtless cruelty.
đ± Random Pick
âUnique New Yorkâ by Nancy Franklin. (Nov 15, 1999). Two Parkers. information, infinity, indifference. I canât believe that the week of the New York issue, random numbers pulled up this piece, a review of Ric Burnsâ epic public-television documentary series on the city. Franklinâs review is mostly notable for the paragraphs taking issue with some of Burnsâ rhetoric regarding the city: ââŠthe idea that the city is dedicated to anything, that it has intention of any kind, is ridiculous⊠[the city] is not a âcause,â and itâs not a tragedy. The story of New York, repeated over and over again throughout its history, is basically: out with the old, in with the new.â Two years later, no one would be willing to say such a thing, of course; weirdly, these days, we still have trouble saying it. But itâs true, and itâs a bracing thought, after a sometimes nostalgic double-issue, that the city is only what we make of it, and that we are not only what it makes of us.
đ± Something Extra
A poem.
Childhood
Spit it out. Hunger is sweet,
silent, manic,
heaving air, doubled over,
an injured poet gripping a fresh wound.
a wound clock is a child to time,
breath doubled, seen-not-heard,
stuck forward, tracing past.
a wordâs a fast train, blurring past pain
points unknown,Â
new moon,
fresh cup.
Sunday Song: